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Twisty Little Passages: An Approach to Interactive Fiction

Twisty Little Passages Nick Montfort MIT Press, 2005

Nick Montfort’s Twisty Little Passages is the first book-length consideration of interactive fiction, examining it from gaming and literary perspectives.

Interactive fiction—the best-known form of which is the text game or text adventure—has not received as much critical attention as have such other forms of electronic literature as hypertext fiction and the conversational programs known as chatterbots. Twisty Little Passages (the title refers to a maze in Adventure, the first interactive fiction) is the first book-length consideration of this form, examining it from gaming and literary perspectives. Nick Montfort, an interactive fiction author himself, offers both aficionados and first-time users a way to approach interactive fiction that will lead to a more pleasurable and meaningful experience of it. Twisty Little Passages looks at interactive fiction beginning with its most important literary ancestor, the riddle. Montfort then discusses Adventure and its precursors (including the I Ching and Dungeons and Dragons), and follows this with an examination of mainframe text games developed in response, focusing on the most influential work of that era, Zork. He then considers the introduction of commercial interactive fiction for home computers, particularly that produced by Infocom. Commercial works inspired an independent reaction, and Montfort describes the emergence of independent creators and the development of an online interactive fiction community in the 1990s. Finally, he considers the influence of interactive fiction on other literary and gaming forms. With Twisty Little Passages, Nick Montfort places interactive fiction in its computational and literary contexts, opening up this still-developing form to new consideration.

For sale at MIT Press.

Nick Montfort
Written by
Nick Montfort

Nick Montfort, professor of digital media, uses computation to develop literary art. His work includes more than ten computer-generated print books (from seven presses), the collaborations The Deletionist and Sea and Spar Between, and Memory Slam: Batch-Era Text Generation. His most recent book of poetry is human-authored but written under constraint: All the Way for the Win (Penteract Press, 2025) consists entirely of three-letter words. Among Montfort’s MIT Press books are The Future and two co-edited volumes, The New Media Reader and Output: An Anthology of Computer-Generated Text, 1953–2023. He’s also principal investigator in the University of Bergen’s Center for Digital Narrative. He directs a lab/studio, The Trope Tank. For more, see Nick’s site, nickm.com.

Nick Montfort Written by Nick Montfort